by Collin Frazier
Clustered atop a matte aluminum table, eighteen stones of varied sizes and textures form a constellation ranging in hue from pale cream to rich hickory. One may imagine that this group of objects is an arrangement of souvenir sedimentary rocks gathered during a sand-strewn getaway, visualizing the delighted collector pocketing the jagged orbs, each with its own unique structure and grain, like gypsum rose scattered about the path of a desert stroll. If only their acquisition were so idyllic. These tightly bunched, beige-toned relics are actually kidney stones personally collected over the course of a two-year period by acclaimed film director David Cronenberg, and the photograph depicting them is the primary element of his second NFT, titled “Inner Beauty.”
Cronenberg, widely known for his seminal contributions to the body horror film genre, returns to SuperRare with a new work that makes reference to his cinematic exploration of the grotesque, while also aiming to highlight the natural artistry of the human body. The piece was conceived on a whim as the Toronto-based director was engaged in conversation with a friend regarding their shared affliction with kidney stones. His friend was anxious about the inevitability of their passing, but Cronenberg had already endured the ordeal many times over. Having collected them in a pill bottle, an act that unconsciously mimicked the creation of the Brundle Museum of Natural History from his film, “The Fly,” Cronenberg poured the tiny mineral deposits, the largest measuring 5mm in diameter, onto a table and snapped a photo to send to his friend. In doing so, he was struck by their natural allure. “When I looked at the photo I thought, ‘this is oddly beautiful.’ It’s strange. It looks like sea creatures.” In that moment, an intentionality was sparked and he began looking at the arrangement with new eyes, testing multiple camera lenses to find the best one for magnifying and capturing the tiny stones.
Cronenberg recognizes that he often returns to previously explored concepts as new technologies and awareness develop, a practice that he linked back to the New York underground filmmakers of the 1950’s and ‘60s. In that light, it comes as no surprise that the title of this NFT directly references a line from his 1988 film, “Dead Ringers,” in which one of Jeremy Irons’ twin characters laments the fact that there are no beauty contests for the inner landscape of the human body. The director paraphrased the character’s statement with a pertinent question: “Why don’t we have an aesthetic for the inside of our bodies? Because that is of our essence as well.”
With “Inner Beauty,” Cronenberg shifts the conception of kidney stones away from their being indicators of some dysfunction within the body,…
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